I know you think that I shouldn't still love you,
Or tell you that.
But if I didn't say it, well I'd still have felt it
where's the sense in that?
I promise I'm not trying to make your life harder
Or return to where we were
I will go down with this ship
And I won't put my hands up and surrender
There will be no white flag above my door
I'm in love and always will be
I know I left too much mess and
destruction to come back again
And I caused nothing but trouble
I understand if you can't talk to me again
And if you live by the rules of "it's over"
then I'm sure that that makes sense
I will go down with this ship
And I won't put my hands up and surrender
There will be no white flag above my door
I'm in love and always will be
And when we meet
Which I'm sure we will
All that was there
Will be there still
I'll let it pass
And hold my tongue
And you will think
That I've moved on....
I will go down with this ship
And I won't put my hands up and surrender
There will be no white flag above my door
I'm in love and always will be
Sunday, April 13, 2008
Summer Has Come Without the Rose
Has summer come without the rose,
Or left the bird behind?
Is the blue changed above thee,
O world! or am I blind?
Will you change every flower that grows,
Or only change this spot,
Where she who said, I love thee,
Now says, I love thee not?
The skies seemed true above thee,
The rose true on the tree;
The bird seemed true the summer through,
But all proved false to me.
Or left the bird behind?
Is the blue changed above thee,
O world! or am I blind?
Will you change every flower that grows,
Or only change this spot,
Where she who said, I love thee,
Now says, I love thee not?
The skies seemed true above thee,
The rose true on the tree;
The bird seemed true the summer through,
But all proved false to me.
A Love Symphony
Along the garden ways just now
I heard the flowers speak;
The white rose told me of your brow,
The red rose of your cheek;
The lily of your bended head,
The bindweed of your hair:
Each looked its loveliest and said
You were more fair.
I went into the wood anon,
And heard the wild birds sing
How sweet you were; they warbled on,
Piped, trilled the self-same thing.
Thrush, blackbird, linnet, without pause,
The burden did repeat,
And still began again because
You were more sweet.
And then I went down to the sea,
And heard it murmuring too,
Part of an ancient mystery,
All made of me and you.
How many a thousand years ago
I loved, and you were sweet--
Longer I could not stay, and so
I fled back to your feet.
I heard the flowers speak;
The white rose told me of your brow,
The red rose of your cheek;
The lily of your bended head,
The bindweed of your hair:
Each looked its loveliest and said
You were more fair.
I went into the wood anon,
And heard the wild birds sing
How sweet you were; they warbled on,
Piped, trilled the self-same thing.
Thrush, blackbird, linnet, without pause,
The burden did repeat,
And still began again because
You were more sweet.
And then I went down to the sea,
And heard it murmuring too,
Part of an ancient mystery,
All made of me and you.
How many a thousand years ago
I loved, and you were sweet--
Longer I could not stay, and so
I fled back to your feet.
Never Let Me Down Again
I'm taking a ride
With my best friend
I hope he never lets me down again
He knows where he's taking me
Taking me where I want to be
I'm taking a ride
With my best friend
We're flying high
We're watching the world pass us by
Never want to come down
Never want to put my feet back down
On the ground
I'm taking a ride
With my best friend
I hope he never lets me down again
Promises me I'm safe as houses
As long as I remember who's wearing the trousers
I hope he never lets me down again
Never let me down
See the stars, they're shining bright
Everything's alright tonight
With my best friend
I hope he never lets me down again
He knows where he's taking me
Taking me where I want to be
I'm taking a ride
With my best friend
We're flying high
We're watching the world pass us by
Never want to come down
Never want to put my feet back down
On the ground
I'm taking a ride
With my best friend
I hope he never lets me down again
Promises me I'm safe as houses
As long as I remember who's wearing the trousers
I hope he never lets me down again
Never let me down
See the stars, they're shining bright
Everything's alright tonight
It's called a heart
There's something beating here inside my body
And it's called a heart
You know how easy it is
To tear it apart
If I lend it to you
Will you keep it safe for me
I'll lend it to you
If you treat it tenderly
There's something beating here inside my body
And it's called a heart
There's a sun shining in the sky
But that's not the reason why
I'm feeling warm inside
The answer isn't classified, it's my heart
From the moment I started
I tried to be goodhearted
Yes I tried my best
And more or less
I spoke from my heart
There's a lot to be learnt
And you learn when you heart gets burnt
Hearts could never be owned
Hearts only come on loan
If I want it back
I will take it back, I'll take my heart
But I will try my best and more or less
I will speak from my heart
Yes I will speak from my heart
Speak from my heart
And it's called a heart
You know how easy it is
To tear it apart
If I lend it to you
Will you keep it safe for me
I'll lend it to you
If you treat it tenderly
There's something beating here inside my body
And it's called a heart
There's a sun shining in the sky
But that's not the reason why
I'm feeling warm inside
The answer isn't classified, it's my heart
From the moment I started
I tried to be goodhearted
Yes I tried my best
And more or less
I spoke from my heart
There's a lot to be learnt
And you learn when you heart gets burnt
Hearts could never be owned
Hearts only come on loan
If I want it back
I will take it back, I'll take my heart
But I will try my best and more or less
I will speak from my heart
Yes I will speak from my heart
Speak from my heart
Love, In Itself
All of these insurmountable tasks
That lay before me
All of the firsts
And the definite lasts
That lay in store for me
There was a time
When all on my mind was love
Now I find
That most of the time
Love's not enough
In itself
Consequently
I've a tendency
To be unhappy, you see
The thoughts in my head
All the words that were said
All the blues and the reds
Get to me
All of the absurdities
That lay before us
All of the doubts
And the uncertainties
That lay in store for us
That lay before me
All of the firsts
And the definite lasts
That lay in store for me
There was a time
When all on my mind was love
Now I find
That most of the time
Love's not enough
In itself
Consequently
I've a tendency
To be unhappy, you see
The thoughts in my head
All the words that were said
All the blues and the reds
Get to me
All of the absurdities
That lay before us
All of the doubts
And the uncertainties
That lay in store for us
A Dialogue between body and soul
Soul.
O, WHO shall from this dungeon raise
A soul enslaved so many ways ?
With bolts of bones, that fettered stands
In feet, and manacled in hands ;
Here blinded with an eye, and there
Deaf with the drumming of an ear ;
A soul hung up, as 'twere, in chains
Of nerves, and arteries, and veins ;
Tortured, besides each other part,
In a vain head, and double heart ?
Body.
O, who shall me deliver whole,
From bonds of this tyrannic soul ?
Which, stretched upright, impales me so
That mine own precipice I go ;
And warms and moves this needless frame,
(A fever could but do the same),
And, wanting where its spite to try,
Has made me live to let me die
A body that could never rest,
Since this ill spirit it possessed.
Soul.
What magic could me thus confine
Within another's grief to pine ?
Where, whatsoever it complain,
I feel, that cannot feel, the pain ;
And all my care itself employs,
That to preserve which me destroys ;
Constrained not only to endure
Diseases, but, what's worse, the cure ;
And, ready oft the port to gain,
Am shipwrecked into health again.
Body.
But Physic yet could never reach
The maladies thou me dost teach ;
Whom first the cramp of hope does tear,
And then the palsy shakes of fear ;
The pestilence of love does heat,
Or hatred's hidden ulcer eat ;
Joy's cheerful madness does perplex,
Or sorrow's other madness vex ;
Which knowledge forces me to know,
And memory will not forego ;
What but a soul could have the wit
To build me up for sin so fit ?
So architects do square and hew
Green trees that in the forest grew.
O, WHO shall from this dungeon raise
A soul enslaved so many ways ?
With bolts of bones, that fettered stands
In feet, and manacled in hands ;
Here blinded with an eye, and there
Deaf with the drumming of an ear ;
A soul hung up, as 'twere, in chains
Of nerves, and arteries, and veins ;
Tortured, besides each other part,
In a vain head, and double heart ?
Body.
O, who shall me deliver whole,
From bonds of this tyrannic soul ?
Which, stretched upright, impales me so
That mine own precipice I go ;
And warms and moves this needless frame,
(A fever could but do the same),
And, wanting where its spite to try,
Has made me live to let me die
A body that could never rest,
Since this ill spirit it possessed.
Soul.
What magic could me thus confine
Within another's grief to pine ?
Where, whatsoever it complain,
I feel, that cannot feel, the pain ;
And all my care itself employs,
That to preserve which me destroys ;
Constrained not only to endure
Diseases, but, what's worse, the cure ;
And, ready oft the port to gain,
Am shipwrecked into health again.
Body.
But Physic yet could never reach
The maladies thou me dost teach ;
Whom first the cramp of hope does tear,
And then the palsy shakes of fear ;
The pestilence of love does heat,
Or hatred's hidden ulcer eat ;
Joy's cheerful madness does perplex,
Or sorrow's other madness vex ;
Which knowledge forces me to know,
And memory will not forego ;
What but a soul could have the wit
To build me up for sin so fit ?
So architects do square and hew
Green trees that in the forest grew.
Shake the Disease
I'm not going down on my knees,
Begging you to adore me
Can't you see its misery
And torture for me
When I'm misunderstood
Try as hard as you can, I've tried as hard as I could
To make you see
How important it is for me
Here is a plea
From my heart to you
Nobody knows me
As well as you do
You know how hard it is for me
To shake the disease
That takes hold of my tongue
In situations like these
Understand me
Some people have to be
Permanently together
Lovers devoted to
Each other forever
Now I've got things to do
And I've said before that I know you have too
When I'm not there
In spirit I'll be there
Here is a plea
From my heart to you
Nobody knows me
As well as you do
You know how hard it is for me
To shake the disease
That takes hold of my tongue
In situations like these
Understand me
Begging you to adore me
Can't you see its misery
And torture for me
When I'm misunderstood
Try as hard as you can, I've tried as hard as I could
To make you see
How important it is for me
Here is a plea
From my heart to you
Nobody knows me
As well as you do
You know how hard it is for me
To shake the disease
That takes hold of my tongue
In situations like these
Understand me
Some people have to be
Permanently together
Lovers devoted to
Each other forever
Now I've got things to do
And I've said before that I know you have too
When I'm not there
In spirit I'll be there
Here is a plea
From my heart to you
Nobody knows me
As well as you do
You know how hard it is for me
To shake the disease
That takes hold of my tongue
In situations like these
Understand me
Eleanor Rigby
Ah, look at all the lonely people
Ah, look at all the lonely people
Eleanor Rigby picks up the rice in the church where a wedding has been
Lives in a dream
Waits at the window, wearing the face that she keeps in a jar by the door
Who is it for?
All the lonely people
Where do they all come from ?
All the lonely people
Where do they all belong ?
Father McKenzie writing the words of a sermon that no one will hear
No one comes near.
Look at him working. Darning his socks in the night when there's nobody there
What does he care?
All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?
Eleanor Rigby died in the church and was buried along with her name
Nobody came
Father McKenzie wiping the dirt from his hands as he walks from the grave
No one was saved
All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?
Ah, look at all the lonely people
Eleanor Rigby picks up the rice in the church where a wedding has been
Lives in a dream
Waits at the window, wearing the face that she keeps in a jar by the door
Who is it for?
All the lonely people
Where do they all come from ?
All the lonely people
Where do they all belong ?
Father McKenzie writing the words of a sermon that no one will hear
No one comes near.
Look at him working. Darning his socks in the night when there's nobody there
What does he care?
All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?
Eleanor Rigby died in the church and was buried along with her name
Nobody came
Father McKenzie wiping the dirt from his hands as he walks from the grave
No one was saved
All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?
Autumn: A Dirge
The warm sun is falling, the bleak wind is wailing,
The bare boughs are sighing, the pale flowers are dying,
And the Year
On the earth is her death-bed, in a shroud of leaves dead,
Is lying.
Come, Months, come away,
From November to May,
In your saddest array;
Follow the bier
Of the dead cold Year,
And like dim shadows watch by her sepulchre.
The chill rain is falling, the nipped worm is crawling,
The rivers are swelling, the thunder is knelling
For the Year;
The blithe swallows are flown, and the lizards each gone
To his dwelling.
Come, Months, come away;
Put on white, black and gray;
Let your light sisters play--
Ye, follow the bier
Of the dead cold Year,
And make her grave green with tear on tear.
The bare boughs are sighing, the pale flowers are dying,
And the Year
On the earth is her death-bed, in a shroud of leaves dead,
Is lying.
Come, Months, come away,
From November to May,
In your saddest array;
Follow the bier
Of the dead cold Year,
And like dim shadows watch by her sepulchre.
The chill rain is falling, the nipped worm is crawling,
The rivers are swelling, the thunder is knelling
For the Year;
The blithe swallows are flown, and the lizards each gone
To his dwelling.
Come, Months, come away;
Put on white, black and gray;
Let your light sisters play--
Ye, follow the bier
Of the dead cold Year,
And make her grave green with tear on tear.
Bereavement
How stern are the woes of the desolate mourner
As he bends in still grief o'er the hallowed bier,
As enanguished he turns from the laugh of the scorner,
And drops to perfection's remembrance a tear;
When floods of despair down his pale cheeks are streaming,
When no blissful hope on his bosom is beaming,
Or, if lulled for a while, soon he starts from his dreaming,
And finds torn the soft ties to affection so dear.
Ah, when shall day dawn on the night of the grave,
Or summer succeed to the winter of death?
Rest awhle, hapless victim! and Heaven will save
The spirit that hath faded away with the breath.
Eternity points, in its amaranth bower
Where no clouds of fate o'er the sweet prospect lour,
Unspeakable pleasure, of goodness the dower,
When woe fades away like the mist of the heath.
As he bends in still grief o'er the hallowed bier,
As enanguished he turns from the laugh of the scorner,
And drops to perfection's remembrance a tear;
When floods of despair down his pale cheeks are streaming,
When no blissful hope on his bosom is beaming,
Or, if lulled for a while, soon he starts from his dreaming,
And finds torn the soft ties to affection so dear.
Ah, when shall day dawn on the night of the grave,
Or summer succeed to the winter of death?
Rest awhle, hapless victim! and Heaven will save
The spirit that hath faded away with the breath.
Eternity points, in its amaranth bower
Where no clouds of fate o'er the sweet prospect lour,
Unspeakable pleasure, of goodness the dower,
When woe fades away like the mist of the heath.
When the Lamp is Shattered
When the lamp is shattered,
The light in the dust lies dead;
When the cloud is scattered,
The rainbow's glory is shed;
When the lute is broken,
Sweet tones are remembered not;
When the lips have spoken,
Loved accents are soon forgot.
As music and splendor
Survive not the lamp and the lute,
The heart's echoes render
No song when the spirit is mute:--
No song but sad dirges,
Like the wind through a ruined cell,
Or the mournful surges
That ring the dead seaman's knell.
When hearts have once mingled,
Love first leaves the well-built nest;
The weak one is singled
To endure what it once possessed.
O Love! who bewailest
The frailty of all things here,
Why choose you the frailest
For your cradle, your home, and your bier?
Its passions will rock thee,
As the storms rock the ravens on high;
Bright reason will mock thee,
Like the sun from a wintry sky.
From thy nest every rafter
Will rot, and thine eagle home
Leave thee naked to laughter,
When leaves fall and cold winds come.
The light in the dust lies dead;
When the cloud is scattered,
The rainbow's glory is shed;
When the lute is broken,
Sweet tones are remembered not;
When the lips have spoken,
Loved accents are soon forgot.
As music and splendor
Survive not the lamp and the lute,
The heart's echoes render
No song when the spirit is mute:--
No song but sad dirges,
Like the wind through a ruined cell,
Or the mournful surges
That ring the dead seaman's knell.
When hearts have once mingled,
Love first leaves the well-built nest;
The weak one is singled
To endure what it once possessed.
O Love! who bewailest
The frailty of all things here,
Why choose you the frailest
For your cradle, your home, and your bier?
Its passions will rock thee,
As the storms rock the ravens on high;
Bright reason will mock thee,
Like the sun from a wintry sky.
From thy nest every rafter
Will rot, and thine eagle home
Leave thee naked to laughter,
When leaves fall and cold winds come.
Tuesday, April 8, 2008
Music, when soft voices die
Music, when soft voices die,
Vibrates in the memory -
Odours, when sweet violets sicken,
Live within the sense they quicken.
Rose leaves, when the rose is dead,
Are heaped for the beloved's bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.
Carrion Comfort
Not, I’ll not, carrion comfort, Despair, not feast on thee;
Not untwist—slack they may be—these last strands of man
In me ór, most weary, cry I can no more. I can;
Can something, hope, wish day come, not choose not to be.
But ah, but O thou terrible, why wouldst thou rude on me
Thy wring-world right foot rock? lay a lionlimb against me? scan
With darksome devouring eyes my bruisèd bones? and fan,
O in turns of tempest, me heaped there; me frantic to avoid thee and flee?
Why? That my chaff might fly; my grain lie, sheer and clear.
Nay in all that toil, that coil, since (seems) I kissed the rod,
Hand rather, my heart lo! lapped strength, stole joy, would laugh, chéer.
Cheer whom though? the hero whose heaven-handling flung me, fóot tród
Me? or me that fought him? O which one? is it each one? That night, that year
Of now done darkness I wretch lay wrestling with (my God!) my God.
Not untwist—slack they may be—these last strands of man
In me ór, most weary, cry I can no more. I can;
Can something, hope, wish day come, not choose not to be.
But ah, but O thou terrible, why wouldst thou rude on me
Thy wring-world right foot rock? lay a lionlimb against me? scan
With darksome devouring eyes my bruisèd bones? and fan,
O in turns of tempest, me heaped there; me frantic to avoid thee and flee?
Why? That my chaff might fly; my grain lie, sheer and clear.
Nay in all that toil, that coil, since (seems) I kissed the rod,
Hand rather, my heart lo! lapped strength, stole joy, would laugh, chéer.
Cheer whom though? the hero whose heaven-handling flung me, fóot tród
Me? or me that fought him? O which one? is it each one? That night, that year
Of now done darkness I wretch lay wrestling with (my God!) my God.
The Man He Killed
Had he and I but met
By some old ancient inn,
We should have set us down to wet
Right many a nipperkin!
But ranged as infantry,
And staring face to face,
I shot at him as he at me,
And killed him in his place.
I shot him dead because—
Because he was my foe,
Just so: my foe of course he was;
That’s clear enough; although
He thought he’d ‘list, perhaps,
Off-hand like—just as I—
Was out of work—had sold his traps—
No other reason why.
Yes; quaint and curious war is!
You shoot a fellow down
You’d treat, if met where any bar is,
Or help to half a crown.
By some old ancient inn,
We should have set us down to wet
Right many a nipperkin!
But ranged as infantry,
And staring face to face,
I shot at him as he at me,
And killed him in his place.
I shot him dead because—
Because he was my foe,
Just so: my foe of course he was;
That’s clear enough; although
He thought he’d ‘list, perhaps,
Off-hand like—just as I—
Was out of work—had sold his traps—
No other reason why.
Yes; quaint and curious war is!
You shoot a fellow down
You’d treat, if met where any bar is,
Or help to half a crown.
Some things are better left unsaid
Some things are better left unsaid(lyrics)
I feel like I could run away
Looking at a darker day
Oh I'm pulling the shades away from my eyes
It's true the moody manners come and go
And it's better that you never know
Some things are better left unsaid
Some strings are better left undone
Some hearts are better left unbroken
Some lives are better left untouched
Some lies are better off believed
Some words are better left unspoken
My ideas seem to frighten you
Are you really that afraid to move
Oh I guess that it's your right to reason
I'm still dealing with a force that's so strong
The force is stringing us along
I feel like I could run away
Looking at a darker day
Oh I'm pulling the shades away from my eyes
It's true the moody manners come and go
And it's better that you never know
Some things are better left unsaid
Some strings are better left undone
Some hearts are better left unbroken
Some lives are better left untouched
Some lies are better off believed
Some words are better left unspoken
My ideas seem to frighten you
Are you really that afraid to move
Oh I guess that it's your right to reason
I'm still dealing with a force that's so strong
The force is stringing us along
I Said To Love
I said to Love,
“It is not now as in old days
When men adored thee and thy ways
All else above;
Named thee the Boy, the Bright, the One
Who spread a heaven beneath the sun,”
I said to Love.
I said to him,
“We now know more of thee than then;
We were but weak in judgment when,
With hearts abrim,
We clamoured thee that thou would’st please
Inflict on us thine agonies,”
I said to him.
I said to Love,
“Thou art not young, thou art not fair,
No elfin darts, no cherub air,
Nor swan, nor dove
Are thine; but features pitiless,
And iron daggers of distress,”
I said to Love.
“Depart then, Love!
Man’s race shall perish, threatenest thou,
WIthout thy kindling coupling-vow?
The age to come the man of now
Know nothing of?
We fear not such a threat from thee;
We are too old in apathy!
Mankind shall cease…—
So let it be,”
I said to Love.
“It is not now as in old days
When men adored thee and thy ways
All else above;
Named thee the Boy, the Bright, the One
Who spread a heaven beneath the sun,”
I said to Love.
I said to him,
“We now know more of thee than then;
We were but weak in judgment when,
With hearts abrim,
We clamoured thee that thou would’st please
Inflict on us thine agonies,”
I said to him.
I said to Love,
“Thou art not young, thou art not fair,
No elfin darts, no cherub air,
Nor swan, nor dove
Are thine; but features pitiless,
And iron daggers of distress,”
I said to Love.
“Depart then, Love!
Man’s race shall perish, threatenest thou,
WIthout thy kindling coupling-vow?
The age to come the man of now
Know nothing of?
We fear not such a threat from thee;
We are too old in apathy!
Mankind shall cease…—
So let it be,”
I said to Love.
Acquainted With The Night
I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-by;
And further still at an unearthly height
One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-by;
And further still at an unearthly height
One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
Macavity: The Mystery Cat
Macavity’s a Mystery Cat: he’s called the Hidden Paw—
For he’s the master criminal who can defy the Law.
He’s the bafflement of Scotland Yard, the Flying Squad’s despair:
For when they reach the scene of crime—Macavity’s not there!
Macavity, Macavity, there’s no on like Macavity,
He’s broken every human law, he breaks the law of gravity.
His powers of levitation would make a fakir stare,
And when you reach the scene of crime—Macavity’s not there!
You may seek him in the basement, you may look up in the air—
But I tell you once and once again, Macavity’s not there!
Macavity’s a ginger cat, he’s very tall and thin;
You would know him if you saw him, for his eyes are sunken in.
His brow is deeply lined with thought, his head is highly doomed;
His coat is dusty from neglect, his whiskers are uncombed.
He sways his head from side to side, with movements like a snake;
And when you think he’s half asleep, he’s always wide awake.
Macavity, Macavity, there’s no one like Macavity,
For he’s a fiend in feline shape, a monster of depravity.
You may meet him in a by-street, you may see him in the square—
But when a crime’s discovered, then Macavity’s not there!
He’s outwardly respectable. (They say he cheats at cards.)
And his footprints are not found in any file of Scotland Yard’s.
And when the larder’s looted, or the jewel-case is rifled,
Or when the milk is missing, or another Peke’s been stifled,
Or the greenhouse glass is broken, and the trellis past repair—
Ay, there’s the wonder of the thing! Macavity’s not there!
And when the Foreign Office finds a Treaty’s gone astray,
Or the Admiralty lose some plans and drawings by the way,
There may be a scap of paper in the hall or on the stair—
But it’s useless of investigate—Macavity’s not there!
And when the loss has been disclosed, the Secret Service say:
“It must have been Macavity!”—but he’s a mile away.
You’ll be sure to find him resting, or a-licking of his thumbs,
Or engaged in doing complicated long division sums.
Macavity, Macavity, there’s no one like Macacity,
There never was a Cat of such deceitfulness and suavity.
He always has an alibit, or one or two to spare:
And whatever time the deed took place—MACAVITY WASN’T THERE!
And they say that all the Cats whose wicked deeds are widely known
(I might mention Mungojerrie, I might mention Griddlebone)
Are nothing more than agents for the Cat who all the time
Just controls their operations: the Napoleon of Crime!
For he’s the master criminal who can defy the Law.
He’s the bafflement of Scotland Yard, the Flying Squad’s despair:
For when they reach the scene of crime—Macavity’s not there!
Macavity, Macavity, there’s no on like Macavity,
He’s broken every human law, he breaks the law of gravity.
His powers of levitation would make a fakir stare,
And when you reach the scene of crime—Macavity’s not there!
You may seek him in the basement, you may look up in the air—
But I tell you once and once again, Macavity’s not there!
Macavity’s a ginger cat, he’s very tall and thin;
You would know him if you saw him, for his eyes are sunken in.
His brow is deeply lined with thought, his head is highly doomed;
His coat is dusty from neglect, his whiskers are uncombed.
He sways his head from side to side, with movements like a snake;
And when you think he’s half asleep, he’s always wide awake.
Macavity, Macavity, there’s no one like Macavity,
For he’s a fiend in feline shape, a monster of depravity.
You may meet him in a by-street, you may see him in the square—
But when a crime’s discovered, then Macavity’s not there!
He’s outwardly respectable. (They say he cheats at cards.)
And his footprints are not found in any file of Scotland Yard’s.
And when the larder’s looted, or the jewel-case is rifled,
Or when the milk is missing, or another Peke’s been stifled,
Or the greenhouse glass is broken, and the trellis past repair—
Ay, there’s the wonder of the thing! Macavity’s not there!
And when the Foreign Office finds a Treaty’s gone astray,
Or the Admiralty lose some plans and drawings by the way,
There may be a scap of paper in the hall or on the stair—
But it’s useless of investigate—Macavity’s not there!
And when the loss has been disclosed, the Secret Service say:
“It must have been Macavity!”—but he’s a mile away.
You’ll be sure to find him resting, or a-licking of his thumbs,
Or engaged in doing complicated long division sums.
Macavity, Macavity, there’s no one like Macacity,
There never was a Cat of such deceitfulness and suavity.
He always has an alibit, or one or two to spare:
And whatever time the deed took place—MACAVITY WASN’T THERE!
And they say that all the Cats whose wicked deeds are widely known
(I might mention Mungojerrie, I might mention Griddlebone)
Are nothing more than agents for the Cat who all the time
Just controls their operations: the Napoleon of Crime!
The Ad-Dressing Of Cats
You’ve read of several kinds of Cat,
And my opinion now is that
You should need no interpreter
To understand their character.
You now have learned enough to see
That Cats are much like you and me
And other people whom we find
Possessed of various types of mind.
For some are same and some are mad
And some are good and some are bad
And some are better, some are worse—
But all may be described in verse.
You’ve seen them both at work and games,
And learnt about their proper names,
Their habits and their habitat:
But
How would you ad-dress a Cat?
So first, your memory I’ll jog,
And say: A CAT IS NOT A DOG.
And you might now and then supply
Some caviare, or Strassburg Pie,
Some potted grouse, or salmon paste—
He’s sure to have his personal taste.
(I know a Cat, who makes a habit
Of eating nothing else but rabbit,
And when he’s finished, licks his paws
So’s not to waste the onion sauce.)
A Cat’s entitled to expect
These evidences of respect.
And so in time you reach your aim,
And finally call him by his NAME.
So this is this, and that is that:
And there’s how you AD-DRESS A CAT.
And my opinion now is that
You should need no interpreter
To understand their character.
You now have learned enough to see
That Cats are much like you and me
And other people whom we find
Possessed of various types of mind.
For some are same and some are mad
And some are good and some are bad
And some are better, some are worse—
But all may be described in verse.
You’ve seen them both at work and games,
And learnt about their proper names,
Their habits and their habitat:
But
How would you ad-dress a Cat?
So first, your memory I’ll jog,
And say: A CAT IS NOT A DOG.
And you might now and then supply
Some caviare, or Strassburg Pie,
Some potted grouse, or salmon paste—
He’s sure to have his personal taste.
(I know a Cat, who makes a habit
Of eating nothing else but rabbit,
And when he’s finished, licks his paws
So’s not to waste the onion sauce.)
A Cat’s entitled to expect
These evidences of respect.
And so in time you reach your aim,
And finally call him by his NAME.
So this is this, and that is that:
And there’s how you AD-DRESS A CAT.
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